Writing Quote of the Week
Seressia August 29th, 2006
“Writing is an exploration. You start from nothing and learn as you go.”
- E L Doctorow, Glucksman Chair in American Letters, New York University
Archive for August, 2006
Writing Distractions
Seressia August 27th, 2006
So one of the things I did when I moved into my new digs was get digital cable. I got it obstensibly for the digital music. I don’t really care for paying all that extra cash for the premium channels, so never get them.
But the digital package, besides all the great music (great writing music) also has a bunch of channels I wouldn’t ordinarily watch. One of them is AZN TV also known as Asian Televison, or as their tagline states, “The Network for Asian America.”
(I feel sort of guilty watching this channel, which isn’t for me–in case you didn’t know, I’m not Asian American. But that’s a post for another day)
I am hooked on this network. I’ve been watching reruns of Record of Lodoss War, Project A-ko, and my latest addiction, Jewel in the Palace. Yes, it’s subtitled, but do I care? No, I’m all over Jang-geum and her life as a kitchen lady preparing meals for the King. Will her rival get her kicked out of the palace? Will she fall in love with the noble warrior who writes poetry? Can you really do that with whale meat?
To tie this back into writing, the reason that I’m watching the marathon diligently every weekend is because it has Universal Themes which come through no matter what the language or culture. Plucky heroine overcomes all manner of circumstances, rivals, and her own fears to achieve greatness, triumph over her enemies, and get the guy. (at least I hope so. Apparently I have like forty more episodes to go.)
Sounds like the core of most romance novels, right?
So if you’re a beginning writer or plan to start, think about the Universal Themes of your story. What shines through in your story no matter what language it’s published in? What would keep a reader (or a viewer) glue to their seat, absorbing every thought, every action? What is it about your story and your heroine that will allow me to identify with her?
Save a Writer, Buy a New Book!
Seressia August 19th, 2006
Edit: I’m sure this will appear on more than one writer’s blog in the coming days, but I thought it was appropriate to post here, so here you go.
By Susan Gable
The recent demise of yet another Harlequin line, this time the kick-butt heroine line Bombshell, got me to thinking, which, as anyone who knows me will tell you is always a dangerous thing. I heard from a number of readers who were surprised by the closing, because they had friends who just “loved that line!”
I’ve also heard things like this: “I can’t believe they closed that line. I loved that line. I read those books every month at my library.”
Before I go any farther with this discussion, I have to offer up a disclaimer. I love libraries. Especially as a child with a voracious appetite for story, I borrowed armloads of books from my local library. I love bargains, too. I shop like men hunt or play sports. It’s a victory when I score a bargain. (New black cocktail dress, originally $79, marked down to only $16. SCORE!) Used books are great bargains. Swapping books, another great bargain. The new websites on-line, where you can “rent” a book, in a system similar to NetFlix, are also an interesting bargain. Good
grief, even the airports these days have a program where you can buy a book, read it, then sell it back to them. What a bargain!
But did you realize that those bargains could be putting your favorite line or your favorite author out of business?
It’s a difficult, touchy subject for authors to discuss. We don’t want to appear anti-used books (’cause we’re not — not entirely, anyway), or make readers think we’re money-grubbers, always harping on them to buy our books. We all know (believe me, we KNOW - most writers don’t make anywhere close to as much money as people think we do) how tight money can be sometimes, especially with the rising costs of gas and heating fuel, and food, and taxes, and.well, you know. Everything.
We’ve been known ourselves to sometimes borrow and trade books, or buy used. Or go to the library.
But publishing these days is a strictly-by-the numbers game-if the numbers don’t live up to the publisher’s expectations, a writer can kiss her slot/line/future contracts good-bye.
“Where’s SoAndSo’s latest book? How come she hasn’t published another story in that series that I love so much?” If you find yourself asking that question, it could be that your favorite, SoAndSo, got cut loose because the numbers of that last book in the series didn’t do as well as the one before that. How did you get your hands on that last book? Did you buy it new, contributing to the continuation of the series, or did you bargain read it? Bargain reads don’t count towards our numbers.
Writers, especially those of us at the “lower echelons” of the publishing world, need our readers more than ever. Without you, there would be no point in what we do. (Well, okay, there’s a certain satisfaction in telling yourself a story, but it’s the audience that makes it truly special. It’s a shared dream.) But now, because of the numbers, we need your support even more.
Our careers, our lines, even our publishers, live and die by the numbers.
So please, where and when you can, save a writer. Buy a new book. We’ll all thank you for it. And that way, you’ll have more choices of books in the future.
*****
Susan Gable thanks her fans for buying her books. Her latest book, The Pregnancy Test, sold well, thanks to them. It was also awarded the National Readers’ Choice Award for Best Long Contemporary. Visit her at http://www.susangable.com for excerpts, contests, and more.